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VICTOR ASH |
| His work reflects current societal situations, prompting the viewer to confront these issues via the environment he has created. |
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BANKSY |
| Though his identity remains unknown, his work is prolific and world-famous. |
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BLADE |
| Nicknamed "The King", he reigned for many years on the 2 and 5 subway lines with the group "The Crazy 5". |
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HENRY CHALFANT |
| A sculptor, photographer and filmmaker notable for his extensive documentation of the graffiti and hip-hop movement. |
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MARTHA COOPER |
| In 1977, she began to shoot graffiti and breakdancing during the emergence of hip-hop in the Bronx. |
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CRASH |
| Considered a pioneer of the graffiti movement; he has prolifically created graffiti works since 1975 in New York. |
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DAZE |
| His work has provided a powerful and continuing record of the graffiti movement. |
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SOZYONE GONZALEZ |
| A graffiti artist from the 90s European hip-hop movement, he formed the crews R.A.B. and UltraBoys International. |
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IKON |
| Born with surfing in his blood, from the age of 16 he began to travel the world in search of the best waves on earth. |
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JONONE |
| He started tagging in New York and its subways in the 70s, blending abstract painting into his graffiti work. |
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SILVIO MAGAGLIO |
| His photographs have appeared in such magazines as Radikal and exhibitions as “The Law Against the Street” at Helenbeck Gallery. |
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NUNCA |
| This internationally recognized graffiti artist’s work questions globalization’s impact on Brazil’s ethnic traditions. |
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PLATEUS |
| A self-taught artist that started off as a graffiti writer, he established himself on the arts scene with his original sculptures. |
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QUIK |
| Influenced by subway graffiti at the age of eleven, he started tagging in the streets under the pseudonym "Star 10". |
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LEE QUINONES |
| He has advanced the graffiti movement by pushing the technical and aesthetic limits of street artists. |
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RAMMELLZEE |
| He is a graffiti writer, performance artist, rap and hip-hop musician, and sculptor. |
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BLEK LE RAT |
| Widely considered the godfather of modern street art, he was the first to use stencils to create street silhouettes. |
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JAMEL SHABAZZ |
| During the 1980's he embarked on a photographic journey documenting the African American and Hispanic community. |
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SHARP |
| Finding much of his inspiration in the ancient scripts, he created his first graffiti in 1979 and his first work on canvas in 1983. |
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